I’ve got a problem: I want to capture video on my vacation, but don’t want to be weighed down by heavy gear. So on my last holiday to Japan and Korea, I shot video on my Fuji X100VI and loved it.
Instead of using a full on shoulder or wrist strap, I like using a simple finger tether like this:
I really wanted to capture more shots of Quin and myself together, and bringing the Ulanzi MT-73 travel tripod was the perfect addition to my shoulder sling.
As noted in the video, it packs as small as shorter tripods, yet extends taller and is more stable than its little brother, all while still fitting in my favourite small sling, the Alpaka Vortex.
Not cheap, but beautifully designed with quality through and through, it has just enough room to carry a surprising amount of camera gear, all while also being the perfect EDC for my phone, wallet and more. All-day comfort padded shoulder strap, and Alpaka’s fast but secure magnetic clasp make this my favourite sling I’ve ever used. And with lots of well-thought-out compartments with magnets, zippers and more, I chose the orange interior to easily find my stuff.
For window shots on planes, trains and automobiles, I got this auto-suction cup mount: 
With a max load of 1KG, it’s strong enough to hold my Fuji X100VI on all but the most violent of car or train rides. It’s so small and convenient, I found myself using it whenever I saw a window. Pair it with the magic arm with arri-locating pins for a versatile mounting solution for cars and windows of all kinds:
If you find yourself shooting in dark interiors, the a little magsafe light like this can add the perfect kiss of light

I mount it to the Ulanzi MA38 magsafe stand for a small, ultra-portable and versatile table light, perfect for shooting food at restaurants.
If you’d rather just shoot on your iPhone, the Ulanzi MT85 telescopic magsafe tripod has a convenient auto-open mechanism, removable bluetooth remote, and versatile double-sided magsafe head, making it my goto for capturing bts at commercial and documentary shoots.
And even though I already owned an Osmo Action 5 Pro, I was so glad I picked up the DJI Nano.
The detachable screen and tiny camera unit made getting BTS frictionless. Being so tiny and lightweight, and combined with the suction cup, it also came in clutch when shooting a winter tiree commercial, easily and safely mounting in places that would take a lot more time and rigging with a heavier setup.
After traveling for two weeks across Japan and Korea with this kit, I’m very happy to have chosen the gear I did. But what did I miss? What are you bringing on your next travel adventure to capture cinematic video footage?
Thanks for watching and see you in the next video.









